Red CineX - Transcode Red Cinema Camera Footage
![](https://i.ytimg.com/vi/AuRrzOPBlYc/mqdefault.jpg)
31:04
Red Cine X - Film Editing Techniques (FREE 5K RED EPIC FOOTAGE)
![](https://i.ytimg.com/vi/YozLk-Vu7kk/mqdefault.jpg)
13:55
IMPORTING, RED FOOTAGE, PROXIES, OH MY! Premiere Pro Workflow
![](https://i.ytimg.com/vi/gI55d4vC_WY/mqdefault.jpg)
18:55
Photographers - Look At This Terrifying Data
![](https://i.ytimg.com/vi/NCzN35DGum0/mqdefault.jpg)
10:02
Native, transcoding or proxies: What's the best option for your footage?
![](https://i.ytimg.com/vi/_-o-YYZE3D0/mqdefault.jpg)
32:21
URSA CINE 12k LF Review - The BIGGEST thing since BAYER - Blackmagic's EXTRAORDINARY new RGBW Sensor
![](https://i.ytimg.com/vi/tLS2K0JnFBk/mqdefault.jpg)
6:50
How To Import Raw RED Footage Into Adobe Premiere Pro and Create Proxy Files
![](https://i.ytimg.com/vi/PsQPAzjI-5M/mqdefault.jpg)
15:16
RED Komodo 6K How To Expose R3D for an IPP2 REDCODE RAW Workflow
![](https://i.ytimg.com/vi/yLpR54F3Hho/mqdefault.jpg)
7:37